This research analyzes Taiwan data from a national attendance survey of four performing arts categories - music, dance, contemporary drama, and traditional theatre - and uses econometric models to examine the determinants of performing arts attendance for these four genres from various aspects. We...

This survey-based cross-sectional investigation explores the socio-demographic, school and student, extracurricular, and family factors associated with Australian high school-aged adolescents' attendance at live theater, music, and dance events (receptive arts participation) outside of school....

This article uses data collected from a telephone survey of Taiwanese residents to investigate the live performance attendances at four types of performing arts: contemporary drama, traditional theatre, dance and music. We estimate a Multivariate Probit (MVP) model to characterize the audience for...

Performing arts organizations are characterized by different objectives other than revenue. Even if, on the one hand, theaters aim to increase revenue from box office as a consequence of the systematic reduction in public funds; on the other hand, they pursue the objective to increase its...

Research presented in this report focuses on data obtained through the 1982 and 1985 Survey of Public Participation in the Arts and relates to musical theatre, operetta, and opera attendance. The focus was on findings which might help opera or musical theatre organizations attract and understand...

Purpose: The aim of the study is to explore the chain of relationships between service attributes, consumers' perceived benefits, fulfilment of personal goals, satisfaction judgements and future intentions. Design/methodology/approach: This research proposes and implements a model of consumer...

Purpose - The purpose of this paper is to describe and understand dimensions of cultural activity involvement and the relationship between cultural activity involvement and behavioural loyalty. Design/methodology/approach - Semi-structured in-depth interviews with 47 customers of a theatre were...

Despite years of concern and various attempts to address the issue, arts audiences remain persistently white, educated, middle class and middle-aged. The homogenous profile of arts attenders undermines the public value of subsidised arts organisations, arguably calling into question the creative...

This article examines audience response data from a young people's community music-theatre performance in Victoria, Australia in 2013. The performance was created by groups of culturally diverse emerging artists and community members working with professional participatory artists. Using both...

This paper examines to what extent art education, prices and standard socioeconomic characteristics influence attendance at professional performing arts events (theatre, classical music, opera, ballet and dance) in the USA. It distinguishes the influence such variables have on whether a person...